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Poljička cesta 35, Split, Croatia

Images of Germany in European film

Images of Germany in European film

Code: 228928
ECTS: 2.0
Lecturers in charge: izv. prof. dr. sc. Marijana Erstić
Lecturers: izv. prof. dr. sc. Marijana Erstić - Seminar
Take exam: Studomat
Load:

1. komponenta

Lecture typeTotal
Lectures 15
Seminar 15
* Load is given in academic hour (1 academic hour = 45 minutes)
Description:
The aim of the course is to deal with different images of Germany in European film history. The historical / historiographical values of each film will also be analysed.
Learning outcomes:
  1. After completing the course, students will be able to:
    - think critically about individual European films on the subject of German history and civilization, and in the context of the socio-historical, political and cultural developments of the 20th century
  2. - competently discuss the characteristics of filmmaking by selected filmmakers
  3. - make critical judgments about the historical, artistic and film value of selected film works
  4. - discuss the specifics of the origin of particular film works
  5. - explain the elements of individual film epochs and place them in the context of European cinema
  6. - explain the features of basic film theories (Gilles Deleuze)
Literature:
  1. Film verstehen. Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Neuen Medien (Mit einer Einführung in Multimedia), Uvod u film., Monaco, James, Rowohlt, 2009.
  2. Geschichte des internationalen Films, Povijest filma., Nowel-Smith, Geoffrey, Metzler, 1998.
Optional literature:
  1. Das Jahr Null irgendwo in Berlin. Denken und Pathos bei Morin, Rossellini, Lamprecht, Kluge, Comparatio. Zeitschrift für Vergleichende Literaturwissenschaft,12 (2020), 1., Erstić, Marijana, Winter, 2020.
  2. Exerzitium Mentale. Ein Vergleich von Stefan Zweigs Schachnovelle und Roman Polanskis Film Der Pianist im Lichte der Gedächtnisphilosophie Henri Bergsons, Comparatio. Zeitschrift für Vergleichende Literaturwissenschaft. 3 (2011), 2., Erstić, Marijana, Winter, 2011.
  3. Kristalliner Verfall. Luchino Viscontis Familienbilder..., Njemačka trilogija Luchina Viscontija., Erstić, Marijana, Winter, 2008.
  4. Zwischen fingere sempre di avere capito und belle nuit d amour: Theatralität und Improvisation in Roberto Benignis Film La vita..., Michael Lommel/Isabel Maurer Queipo/Nanette Rißler-Pipka (ur.): Theater und Schaulust im aktuellen Film., Erstić, Marijana, Transcript, 2004.
  5. Einführung in die Filmanalyse. Teil I. Die Zeichen des Films, Uvod u analizu filma., Kühnel, Jürgen, Universi - Universitätsverlag Siegen, 2004.
  6. Einführung in die Filmanalyse. Teil II. Dramaturgie des Spiefilms, Uvod u analizu filma., Kühnel, Jürgen, Universi - Universitätsverlag Siegen, 2004.
  7. Deutschlandfilme. Godard, Hitchckock, Pasolini. Filmdenken und Gewalt, Filmovi o Njemačkoj., Theweleit, Klaus, Stroemfeld-Roter Stern, 2003.
1. semester
DIPL Izborni predmeti- Njemački jezik i književnost 1. semestar - Regular studij - German language and literature
Consultations schedule: