A CONTRIBUTION TO UNDERSTANDING OF ETHNIC AND OTHER IDENTITY CONSTRUCTS REGARDING THE PAINTER ANDREA MELDOLA / ANDRIJA MEDULIĆ / ANDREA SCHIAVONE IN ART HISTORIOGRAPHY AND ART (PRINTS, PAINTING AND SCULPTURE)

POSTED ON 21. MARCH 2019. BY ZBORNIK
Journal of Faculty of Humanities and Social Sciences in Split, No. 9 July 2017

Original scientific paper

Ivana Prijatelj Pavičić   orcid.org/0000-0003-4379-3074 ; Faculty of Humanities and Social Sciences, University of Split 

pages 135-151

Abstracts:

The topic of the paper are identity images of the painter and engraver Andrea Meldola (Meldolla)/Andrija Medulić/Andrea Schiavone (c. 1515-1563, Venice) in Italian historiography, from the time he lived in Venice until the 19th century. This paper explores the (pseudo) ethnic and other identity constructs regarding the painter Meldola based on humanistic theories about the origin of the Venetians (Henetism), the Illyrians or Slavs represented in Florentine, Roman and Venetian historiography in the period 16th – 18th centuries.

Keywords:

Andrea Meldola; Carlo Ridolfi; Marco Boschini; Jan Kollàr; Ivan Kukuljević Sakcinski; Ivan Meštrović;Društvo Medulić; literary topoi applied to Andrea Meldola

URI:

https://ffst.unist.hr/en/zbornik/archive/9_2017/9_9

• APA 6th Edition

Prijatelj Pavičić, I. (2017). PRILOG POZNAVANJU IDENTITETSKIH KONSTRUKCIJA SLIKARA ANDREE MELDOLE / ANDRIJE MEDULIĆA U UMJETNIČKOJ HISTORIOGRAFIJI I UMJETNOSTI. Zbornik radova Filozofskog fakulteta u Splitu, (9), 135-151. Retrieved from https://ffst.unist.hr/en/zbornik/archive/9_2017/9_9

• MLA 8th Edition

Prijatelj Pavičić, Ivana. “PRILOG POZNAVANJU IDENTITETSKIH KONSTRUKCIJA SLIKARA ANDREE MELDOLE / ANDRIJE MEDULIĆA U UMJETNIČKOJ HISTORIOGRAFIJI I UMJETNOSTI.” Zbornik radova Filozofskog fakulteta u Splitu, vol. , no. 9, 2017, pp. 135-151. https://ffst.unist.hr/en/zbornik/archive/9_2017/9_9. Accessed &202326;07

• Chicago 17th Edition

Prijatelj Pavičić, Ivana. “PRILOG POZNAVANJU IDENTITETSKIH KONSTRUKCIJA SLIKARA ANDREE MELDOLE / ANDRIJE MEDULIĆA U UMJETNIČKOJ HISTORIOGRAFIJI I UMJETNOSTI.” Zbornik radova Filozofskog fakulteta u Splitu , no. 9 (2017): 135-151. https://ffst.unist.hr/en/zbornik/archive/9_2017/9_9

• Harvard

Prijatelj Pavičić, I. (2017). ‘PRILOG POZNAVANJU IDENTITETSKIH KONSTRUKCIJA SLIKARA ANDREE MELDOLE / ANDRIJE MEDULIĆA U UMJETNIČKOJ HISTORIOGRAFIJI I UMJETNOSTI’, Zbornik radova Filozofskog fakulteta u Splitu, (9), pp. 135-151. Available at: https://ffst.unist.hr/en/zbornik/archive/9_2017/9_9 (Accessed &202326;07)

• Vancouver

Prijatelj Pavičić I. PRILOG POZNAVANJU IDENTITETSKIH KONSTRUKCIJA SLIKARA ANDREE MELDOLE / ANDRIJE MEDULIĆA U UMJETNIČKOJ HISTORIOGRAFIJI I UMJETNOSTI. Zbornik radova Filozofskog fakulteta u Splitu [Internet]. 2017 [cited &202326;2023];(9):135-151. Available from: https://ffst.unist.hr/en/zbornik/archive/9_2017/9_9

• IEEE

I. Prijatelj Pavičić, “PRILOG POZNAVANJU IDENTITETSKIH KONSTRUKCIJA SLIKARA ANDREE MELDOLE / ANDRIJE MEDULIĆA U UMJETNIČKOJ HISTORIOGRAFIJI I UMJETNOSTI”, Zbornik radova Filozofskog fakulteta u Splitu, vol., no. 9, pp. 135-151, 2017. [Online]. Available: https://ffst.unist.hr/en/zbornik/archive/9_2017/9_9. [Accessed: &202326;07]